![]() ![]() Separately available AtomX Ethernet/NDI and SYNC Expansion Modules enable you to output live video over IP or add wireless timecode for multicamera shoots respectively. The Ninja V can record to both AtomX SSDmini or standard 2.5″ SSD drives, fitting up to 150 minutes of 4K video on a 1TB drive. An SSD Caddy, power supply, and dummy battery are included with the unit.ĭesigned with an interface that differs somewhat from prior units, the Ninja V’s HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit’s upper left corner. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. The settings only affect viewing, with recorded video remaining unaltered.īuilt to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. The Atomos Ninja V is a 5-inch, on-camera monitor and recorder built for use with DSLR and mirrorless cameras and can record DCI or UHD 4K/60p video with. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. Can’t upload the raw files, because I don’t have the permission.The Atomos Ninja V 5″ 4K HDMI Recording Monitor is a 5″ on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. C300 and Sony F3 has a nice grain in the blacks. Please, don’t judge the picture quality, it’s absolutely compressed (H264). In this case, that means a quality external recorder. ![]() Low light test Sony F3 AbelCine Range, S-Log Canon C300 C-Log Canon 7D Technicolor Cinestyle. Download the JPG version of the frame grab (2,3 MB).The system supports a maximum input/output resolution of 1080/60p. Live video from the camera is then output to the smartphone via the LukiLink mobile app (Android and iOS). Download the Tiff version of the frame grab (12MB) LukiLink is very simple to use: just connect it to a DSLR camera via an HDMI cable on one side, and a smartphone/tablet via a USB cable on the other.You can also put your webcam/facecam on one corner of your video (Picture-in-Picture, Video-in-Video). I’ll update this blog post the following days with frame grabs and a short comparison video (Canon 7D Technicolor CineStyle, Canon C300 C-Log, Sony F3 S-Log). Bandicam allows you to record an external video device such as a webcam, Xbox/PlayStation, smartphone, IPTV, etc., in super high quality. Personally I want to own both of these great cameras! □ KiPro recorder costs you € 14,400), of course more expensive than the C300, but you can upgrade later if you need 4:4:4 or S-Log for a project. You can get a Sony F3 with S-Log for € 13,900 in Europe (without external recorder – full set incl. ![]() But I also like the superb image out of my Sony F3 with S-Log and the ability shooting 4:4:4 1080p with 60 frames per seconds. I like the form factor of the C300, wow, just perfect. I can’t recommend any of these cameras for you, it’s your decision! It depends what you personally need. And: Uncompressed files, which is on the one side cool, on the other side uncompressed also means, that you have to buy more hard drives etc…! ![]() No more transcoding, I can start editing directly. I’m always using an external recorder for my jobs, because it saves me so much time in post production, so I don’t care. Of course S-Log is an add-on and is quite expensive! You don’t need an external recorder using S-Log, but then you only have only 4:2:0. S-Log has much more picture information compared the the C300 frame. There is a difference between Sony F3 S-Log and Canon C300 C-Log. On the C300 the Zeiss ZF.2 85mm 1.4, on the F3 the Zeiss CP.1 85mm 1.5. The Sony F3 was set to 0db, ProRes HQ 10-bit, 5600K, S-Log, the C300 0db, ProRes HQ 8-bit, 5600K, C-Log. Would love hearing your thoughts on my blog, Twitter and Facebook! I used my KiPro Mini for uncompressed external recording. I’ve uploaded a Tiff-Version (I recommend downloading this one, because it has no compression) and a JPEG-Version. There is a cool frame grab for you, which shows you the difference between S-Log and C-Log. My first thoughts: Wow! Feels like a DSLR, small, compact, you can still use all your gear you’ve bought for your DSLR. Lots of people asked me if I can do a comparison between Canon C300 C-Log Picture Profile and Sony F3 S-Log.įirst of all, the Canon C300 is an impressive camera, I really like the form factor. I’ve just got the Canon C300 for one week and I want to share my thoughts with you. ![]()
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